Response to Glitch Art

In glitch art the imperfection or mistake is deliberately created to obtain a derivative digital piece of art from another one. Per Nick Briz, glitch art is an intentional way of manipulating data to create something new. “Glitch art is not a medium, it is an approach… artifacts will change with time" (Briz). As an approach I view glitch art as an extension of a long tradition of innovation in the art world. In the past the tools were canvas, paint brushes, wood, pottery, fibers, etc. Be it the invention or discovery of the chiaroscuro technique in ancient Greece, perfected by Leonardo Da Vinci in the late 15th century, and adopted in woodcutting by Ugo da Carpi in the 16th century, be it the reinterpretation of reality in a cubist way, or creation of surreal worlds based on tangible objects, be it glitch art, all are innovative ways in their time to create art.


Embracing new techniques, embracing imperfection or deliberating introducing glitches in a piece is not a new practice. We can stretch the concept and say that Picasso reinterpreted the world using cubism, he created “analog” glitches”, Salvador DalĂ­ created surreal worlds, far from the ideal of perfect objects. The Japanese art form of kintsugi embraces imperfection and produces beautiful objects from broken ones, the imperfection gives way to a new aesthetic. “Kintsugi is the Japanese art of putting broken pottery pieces back together with gold – built on the idea that embracing flaws and imperfections, you can create an even stronger, more beautiful piece of art.” (Ayuda).

The Navajo Nation is said to introduce an imperfect line in their weaving, what I would call an analog glitch. (Patowary) In the case of the Navajos the glitch is introduced for spiritual reasons, based on their beliefs.


In summary the tech tools of today are used like brushes and other tools to create art, except in the former case the medium is digital. Glitch art is an extension of a long line of novel approaches to art throughout history. Someday it will become like chiaroscuro, an old technique, but not necessarily obsolete.


References

Ayuda, Tiffany. “How the Japanese Art of Kintsugi Can Help You Deal with Stressful Situations.” NBCNews.com, NBCUniversal News Group, 28 Apr. 2018, www.nbcnews.com/better/health/how-japanese-art-technique-kintsugi-can-help-you-be-more-ncna866471.



Patowary, Kaushik. “The Art of Deliberate Imperfection.” Amusing Planet, 4 Feb. 2018, www.amusingplanet.com/2017/08/the-art-of-deliberate-imperfection.html.







Comments

  1. I'm so glad to read that you're bringing art history and more traditional analogue practices into this discussion! It is such an important point that this creative impulse—the urge to "misuse"—is not new, but rather akin to the evolution of mark-making tools and communication media throughout human history. The reason that I find this conversation so integral to an introductory look at digital media is that we sometimes, as consumers and producers of digital information, might catch ourselves viewing the screen world as entirely fixed; void of political bias or material flexibility. In fact, these pixels and platforms are just as ripe for intervention as any other medium!

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